The Dar es Salaam Museum holds a distinctive character, distinguished by several intriguing facets. Among the museums I’ve had the privilege to explore, this particular one stands out for a unique reason—it boasts an abundance of textual narratives that surpasses the quantity of physical artifacts on display.

Upon my visit, I encountered an unexpected occurrence—a collection of empty halls adorned with poignant images. This sight elicited a sense of surprise, prompting me to delve deeper into the museum’s essence and purpose.

Implicit in every nation’s history is the profound significance of commemorating the legacies of those who have walked its paths before us. As I ventured further into the museum’s offerings, the intricacies of this sentiment became increasingly evident.

In the following sections, I invite you to join me in unraveling what renders this museum truly extraordinary. The journey promises revelations about its distinctive attributes that set it apart from the rest. The juxtaposition of textual richness against physical presence, coupled with the evocative imagery within empty spaces, creates a narrative tapestry that is as thought-provoking as it is visually captivating.

The museum encapsulates a poignant truth—the heritage of a nation resides not solely in tangible artifacts, but also in the tales of those who once breathed life into its history. As we journey deeper into this exploration, the museum’s peculiarity unfolds, offering a lens through which we can glean profound insights into Dar es Salaam’s past, present, and the continuum of its legacy.

Dar es Salaam museum premises

The front main building stands at a single level. However, situated behind it, an ongoing construction project is giving rise to another museum.

Stepping into the backyard, a scene of unexpected marvels unfolded before me. A grand amphitheater-like space adorned with concrete seating arrangements captured my attention. These seats were thoughtfully arranged encircling a majestic giant tree, suggesting a venue primed for hosting events. On that particular day, the air resonated with the vibrant notes of gospel music emanating from immense speakers. As I drew closer, a sizable banner came into view, revealing an upcoming Christian children’s event scheduled for later in the day.

Adjacent to this event area, a colossal steel statue of a dinosaur loomed, its wide-open mouth lending it an astonishingly lifelike quality.

What else is in the yard?

On the left side, a small parking area was nestled near the museum’s outer walls. My curiosity led me closer to investigate why these spaces seemed untouched. To my astonishment, I realized that these parking spots held the vehicles once used by Tanzanian presidents. Immaculately clean and well-preserved, they stood as a testament to history.

Moving towards the rear of the museum, an arrangement of traditional African drums lay in repose, their rhythmic potential momentarily tempting me to give them a try. However, uncertainty about obtaining permission held me back.

Lastly, on the museum’s right side, tucked away behind the structure, a sight both poignant and touching greeted me: a corner dedicated as a memorial. This elegantly crafted outdoor exhibit stands as a gift from the United States, commemorating the Tanzanian and Kenyan lives lost during the tragic 1998 United States embassy bombings.

These attacks occurred on August 7, 1998. More than 200 people were killed in nearly simultaneous truck bomb explosions in two East African cities, one at the United States Embassy in Dar es Salaam, Tanzania, and the other at the United States Embassy in Nairobi, Kenya.

Souvenir shop

Do you plan to shop for Tanzanian items before you leave the peninsular? There is a big shop next to the receptionist. It has countless unique art items.

While admiring the empty coconut shell musical instrument, I noticed the pencils shaped into animal heads. The colors were bright, and it was strange to see the wooden creativity. I didn’t know what to choose between the handbag and buying Tanzanian clothes.

The American Corner

Adorning the primary entrance on the first floor is a substantial passport-sized photograph, proudly featuring the image of the late President Julius Nyerere.

Adjacent to the outdoor staircase, an alcove takes shape, adorned with a full-sized portrait capturing the essence of the late President John Magufuli.

These images serve as poignant evidence of the deep respect Tanzanians hold for their presidents.

Greeting me on the balcony of the initial floor is the American corner. This enclave showcases expansive panels, adorned with images drawn from vintage newspapers. Many of these depictions center around the political exchanges between the former Tanzanian president, Julius Nyerere, and American President John F. Kennedy.

The enduring connection between Tanzania and the USA is evident, a bond that has been nurtured over the long term.

Boards thoughtfully exhibit narratives chronicling the events of the 1961 independence movement.

I found myself mildly taken aback by the selection of the United States amidst the multitude of nations with whom Tanzania enjoys positive relationships.

Nestled beneath this region, a tranquil library space beckons. Although I refrained from inquiring about potential usage fees, the environment appears serene and inviting, a perfect haven for reading and contemplation.

Inside the Dar es Salaam museum

Inside the museum, this is an old chair and bed. It was interesting to see the old Tanzanian monies.

Some art represented slavery and ancient life during the colonial era. It was strange that a wind blade for an old plane was on display and an old foreign box was.

Dar es Salaam Contemporary Art Gallery

Anticipating an array of vibrant and captivating artworks, I entered the Contemporary Art Gallery with high expectations. However, my initial impressions were met with a surprising twist.

Contrary to my assumptions, the most contemporary pieces weren’t in the vivid colors and paintings I had envisioned. Instead, it is the wooden carved creations that embodied a modern flair. The remaining exhibits, while thoughtfully curated, seemed to exude a sense of familiarity and everydayness.

Adjacent to this space lies a distinct section cloaked in subdued lighting—a realm that introduces a markedly different atmosphere. Here, the spotlight shifts to a realm of preserved narratives, housing the skeletal remnants of animals and echoing tales of ancient human origins.

The interplay of contrasts within this gallery is undeniable. The juxtaposition of traditional woodwork with modern artistry and the transition from ordinary items to the captivating enigma of animal skeletons and ancestral stories enriches the visitor’s experience. It’s a testament to the museum’s ability to conjure varying emotions and provoke diverse perspectives through its eclectic array of displays.

African rock corner

The rock corner is a big room with art, painted like rocks.

I never imagined seeing this on display in a museum. As I read through, I found that studying rocks has been an ancient African tradition.

There is a rock map of Africa and a list of different types of rocks. Pictures of famous discoveries from other countries are on a line on the walls, with a fake rock field-like section.

It was impressive to see how Geologists have grouped rocks and how the Dar es Salaam museum has considered this relevant.

In conclusion, do these things surprise you? I can assure you there is more. If you have a lot of time to spare to read the countless historical facts of Tanzania, it will be the best way to know how the country has evolved.

To read more about other museums, you could visit around the world and travel tips, check out these articles.